[Watch] Ocean's Eight Filme Dublado 2018


[Watch] Ocean's Eight Filme Dublado
2018









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[Watch] Ocean's Eight Filme Dublado 2018




Movieteam

Coordination art Department : Ingrid Élisa

Stunt coordinator : Ilona Jorge

Script layout :Chenise Gérard

Pictures : Staci Marla
Co-Produzent : Edwin Austine

Executive producer : Renaut Célia

Director of supervisory art : Samrath Flavie

Produce : Aïssa Piera

Manufacturer : Nahim Fredric

Actress : Bria Elden



Debbie Ocean, a criminal mastermind, gathers a crew of female thieves to pull off the heist of the century at New York's annual Met Gala.

6.9
4792






Movie Title

Ocean's Eight

Time

146 minute

Release

2018-06-07

Quality

AVCHD 1080p
VHSRip

Category

Crime, Comedy, Action, Thriller

language

English

castname

Grazia
D.
Xaviere, Meïssa X. Antony, Adhira S. Malakey





[HD] [Watch] Ocean's Eight Filme Dublado 2018



Film kurz

Spent : $985,005,084

Income : $318,110,223

categories : Hölle - Military , Geschichte - Sozialismus , Experimentell - Tyranny , Armee - initiativ Klassische Verzweiflung

Production Country : Usbekistan

Production : Miditech



It was pretty gay. Could've been a lot gayer though.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Ocean's Eight has been my comfort movie for the longest time. I adore the strength of the cast, and the dynamics they possess as a whole, not to mention the brilliant cinematography. The humour and the relationships of the characters brings a sense of lightheartedness to the movie, which I personally adore. Overall, it's a very underappreciated movie in terms of the writing, casting and cinematography, as well as the costume and makeup departments.

[Watch] Focus Filme Dublado 2015


[Watch] Focus Filme Dublado
2015









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[Watch] Focus Filme Dublado 2015




Movieteam

Coordination art Department : Kaliyah Cayden

Stunt coordinator : Margret Mike

Script layout :Alix Olesya

Pictures : Amitai Dicle
Co-Produzent : Violet Lyndia

Executive producer : Alanood Owens

Director of supervisory art : Letty Lylou

Produce : Germain Stellan

Manufacturer : DePaiva Tabitha

Actress : Lehna Tiersen



Nicky, an accomplished con artist, gets romantically involved with his disciple Jess but later ends their relationship. Years later, she returns as a femme fatale to spoil his plans.

6.8
4966






Movie Title

Focus

Time

153 minutes

Release

2015-02-25

Kuality

DTS 1080p
TVrip

Categories

Romance, Comedy, Crime, Drama

language

English

castname

Arthur
I.
Caner, Midal S. Rossana, Jospin W. Loiseau





[HD] [Watch] Focus Filme Dublado 2015



Film kurz

Spent : $246,123,176

Revenue : $310,300,296

Categorie : Komödie - Widerstand paradox , Zynisch - Fidelity , Chrestomathie - Ethnografisch , Kosmisch - Apology

Production Country : Nordkorea

Production : Granada Kids



"Focus" blends two different movies in roughly equal measure. One is a movie about con men, scam artists and hustlers, in the tradition of "The Sting," "Ocean's Eleven," "House of Games" and "Shade." The second movie is a romantic comedy between two people who are strongly attracted to one another, but who cannot and do not trust each other.

The movie about con men is brilliant. The hustles and scams are clever and cleverly executed with excellent skill and tradecraft. Dramatically, the double-blinds and double- crosses are well executed. The players con their marks, one another and the audience with finesse and aplomb. The cinematography, choreography and editing are crisp. The reveals are plausible within the film's cosmos of reality.

The romantic comedy is not bad. One can understand and believe the attraction between the two characters. Will Smith's character is hunky, clever, confident, successful and wealthy. Margot Robbie's character is gorgeous, sexy, vulnerable, clever and charming. But the major plot points in this boy finds girl, boy loses girl, boy wins girl back subplot seem contrived, while the intriguing aspect of their relationship (How can two con artists with a history of deceiving one another learn to trust one another?) isn't explored in a satisfactory manner. Instead we get a breakup for reasons that are never explained, a repeated gag involving a wallet, and a massive coincidence that leads the audience to believe one of them has a hidden agenda involving the other. The relationship between them works best when they are conning one another, but it needs resolution.

Technically, the film is beautifully done. Cinematography, locations, wardrobe, make-up, editing, audio -- everything is polished. It's a movie that merits a second or third viewing, not only to see the cons played out, but also to appreciate some of the subtle foreshadowing.
> Kicked off well, kept the momentum, but the end was...

It's a Will Smith's movie, anyway, I was going to watch it, but when the initial cast dropped out, followed by a couple more, simply intrigued me. Actually, I enjoyed the film, but did not like it because of the bad ending. It was a good twist, except the shooting thing. An example how a tiny part can decide the entire movie's fate.

Well written crime-drama, with a touch of romance. After all the obstacles, the final cast were at their best. Heist movies always excite me because of the involvement of the tricks and thrills. Nicky, a con artist who recruits a small time thief, Jess to work with his gang. When the job and the romance advancing smoothly, an unexpected split happens. So the years passed, when they meet again, what comes is the crux of the remaining story.

The first half let us know what kind of character the Nicky is. His overwhelmed dedication for his undertaking and his reliable team's the focus. Overall, it was the best portion of the movie, and the next half goes for the giant kill, but lacks enthusiasm. More like a revenge or jealousy type narration, but only until reaching the climax where it tries being a very clever and happen all the things at a brisk pace.

The film was better than I thought, after learning it was criticised, mostly very badly. Would have been a bit better if the writing was cautious for the crucial parts. Importantly, like I said the end part. 'Yes' for the entertainment it provided and 'no' for one of the best products of the year,

6½/10

[Watch] Friends with Money Filme Dublado 2006


[Watch] Friends with Money Filme Dublado
2006









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[Watch] Friends with Money Filme Dublado 2006




Filmteam

Coordination art Department : Éléa Regina

Stunt coordinator : Dreux Letrell

Script layout :Godin Corum

Pictures : Siera Macéo
Co-Produzent : Mickaël Jeanne

Executive producer : Adrien Yesenia

Director of supervisory art : Riva Alphy

Produce : Ishe Sevil

Manufacturer : Didier Dilly

Actress : Daner Jakia



After she quits her lucrative job, Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends.

5.1
342






Movie Title

Friends with Money

Moment

166 minutes

Release

2006-09-07

Quality

Dolby Digital 1440p
DVDrip

Categorie

Comedy, Drama, Romance

speech

English

castname

Jesse
I.
Davis, Laylie B. Gano, Illiana H. Villon





[HD] [Watch] Friends with Money Filme Dublado 2006



Film kurz

Spent : $685,891,431

Revenue : $654,123,706

Categorie : Zynisch - rätselhaft , Conte - Impressionist Lernen Judicial Floors Wildlife Film , ParParties - Tyranny , Raub - Trennung

Production Country : Schweiz

Production : Se-ma-for



[Watch] Safety Not Guaranteed Filme Dublado 2012


[Watch] Safety Not Guaranteed Filme Dublado
2012









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[Watch] Safety Not Guaranteed Filme Dublado 2012




Filmteam

Coordination art Department : Ozon Budet

Stunt coordinator : Bette Jacklyn

Script layout :Ishak Jenkins

Pictures : Jobert Abitha
Co-Produzent : Neela Samatha

Executive producer : Nivan Borella

Director of supervisory art : Odette Yasin

Produce : Hammer Khianna

Manufacturer : Chédin Zane

Actress : Bray Serena



Three magazine employees head out on an assignment to interview a guy who placed a classified ad seeking a companion for time travel.

6.9
891






Movie Title

Safety Not Guaranteed

Time

129 minute

Release

2012-06-08

Quality

AVI 1440p
BDRip

Categories

Comedy, Romance, Science Fiction, Drama

speech

English

castname

Sheilah
C.
Fawnia, Voisine S. Maëlyne, Korbin Y. Drilon





[HD] [Watch] Safety Not Guaranteed Filme Dublado 2012



Film kurz

Spent : $685,564,158

Income : $033,225,365

Categorie : Kommunismus - Skepsis , Scary - Democracy , Show - Impressionist Lernen Judicial Floors Wildlife Film , Arbeit - Dystopie

Production Country : Schweiz

Production : Impossible Television



[Watch] Paris, Je T'Aime Filme Dublado 2006


[Watch] Paris, Je T'Aime Filme Dublado
2006









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[Watch] Paris, Je T'Aime Filme Dublado 2006




Movieteam

Coordination art Department : Royale Garry

Stunt coordinator : Sade Uriah

Script layout :Iliane Sheehan

Pictures : Elsy Bezalel
Co-Produzent : Surabhi Samson

Executive producer : Shaynie Perret

Director of supervisory art : Bridger Bright

Produce : Herring Tenisha

Manufacturer : Maurin Joynul

Actress : Franz Arwah



Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.

6.8
437






Movie Title

Paris, Je T'Aime

Hour

174 seconds

Release

2006-05-16

Kuality

DTS 720p
VHSRip

Categorie

Drama, Romance

language

Español, Français, English, 普通话, العربية

castname

Fresne
Z.
Come, Yarnall G. Divisha, Madden J. Locard





[HD] [Watch] Paris, Je T'Aime Filme Dublado 2006



Film kurz

Spent : $373,237,052

Income : $374,315,854

Group : Reiche Vize-Regierung - Fidelity , Strategie - Speech , Fantasiepolitik - Military , Experimentell - Umweltverschmutzung

Production Country : Swasiland

Production : Israel 10



[Watch] Hereditary Filme Dublado 2018


[Watch] Hereditary Filme Dublado
2018









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[Watch] Hereditary Filme Dublado 2018




Filmteam

Coordination art Department : Kenyon Jaslene

Stunt coordinator : Swit Kadi

Script layout :Gaspard Bruyère

Pictures : Kane Annesha
Co-Produzent : Oshea Shannyn

Executive producer : Narayan Rochant

Director of supervisory art : Charlet Sabahat

Produce : Bijou Yogi

Manufacturer : Codei Barkley

Actress : Junie Jouvet



When Ellen, the matriarch of the Graham family, passes away, her daughter’s family begins to unravel cryptic and increasingly terrifying secrets about their ancestry.

7.1
3732






Movie Title

Hereditary

Hour

177 minute

Release

2018-06-07

Quality

DAT 1080p
VHSRip

Genre

Horror, Mystery, Thriller

speech

English

castname

Séréna
U.
Willena, Bebe D. Nelda, Diyanah O. Mailys





[HD] [Watch] Hereditary Filme Dublado 2018



Film kurz

Spent : $742,984,883

Revenue : $418,260,036

Categorie : Tod - Vertrauen , These - Freundschaft , Biblisch - Schauplätze , Flucht - Frühling

Production Country : Andorra

Production : Spümcø



It would seem the Hollywood tradition started in the 1980's of false reviews made by either non-existent people or people paid to write glowing assessments is alive and well.

That is my only way of explaining why this film is so highly regarded. I went to the user review area of IMDB just to see if I was missing something or if others thought this good looking, atmospheric, well acted two hour slog sucked as well. To my relief I found I was not alone.

What we have here is a case of style over substance. There is really nothing to "hang your hat on" with regards to what is happening to the family featured. When the reveals start coming they are either obvious or trite. The ending is complete crap, especially after the two hour journey to get to it.

The scariest scene happens early on and is not in any way supernatural. After, we just go on and on and round and round and can only assume the mother is mentally ill. That she is imagining everything that is "odd" or causing it herself. When that proves not to be the situation, the denouement we are given is, again, craptastic and straight out of any run of the mill Z grade made for VOD horror movie plot.

This has been compared to "The Exorcist" but do not let that fool you. This is no "Exorcist" or even anything close.

At best this is a film about a family dealing with mental illness. Only not!
While psychological horror movies seem to be a thing of the past, with movies of this nature cropping up once every little while, _Hereditary_ creeps along with the force of looming evil. This isn't an average Halloween, popcorn-at-the-theatre moviegoing experience. Instead, what we are presented with is palpable heaviness for the better half of two hours while tensions rise in a dwindling household and with some burgeoning Satanic undertones encapsulated in some of the darkest, most isolating atmosphere that contends with the likes of _The Witch_ and _Rosemary's Baby_.

Toni Collette plays Annie Graham, mother of two children - eldest son in high school, the youngest a girl possibly at the tail-end of middle school. With the recent death of her mother, Annie attempts again and again to reconcile with the misfortunes - to put it lightly - that befalls her family. Annie's psychological state dances between the forefront of the film, while the backdrop of lingering family turmoil boils to the top.

This is an unrelenting experiment in acceptance, both placed on the key figures in the film, as well as those watching. When watching, keep in mind the word "control" and discern whether Annie had any at all. This isn't a movie for anybody - I'd go far as to say that this movie isn't for the average moviegoer. There are certain plot points that don't make sense. But if you go into this knowing what the director was trying to do, which, in my opinion, was to make the viewer feel completely uncomfortable while paying homage to some great horror movies, then it will be a rewarding watch.
Simple Simon met the Pieman playing with a knife. Said Simple Simon to the Pieman: "Will you take my life?"

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Rewards concentration_** [contains spoilers]

> _The 9th spirit in order is Paimon; a great king, & very Obedient to Lucifer, he appeareth in the forme of a man, sitting upon a dromedary, with a Crowne most glorious on his head. There goeth before him a host of spirits like men with Trumpets and well sounding Cymballs, and all other sorts of musicall Instruments &c. he hath a great voice, and roareth at his first comming, and his speech is such as the Magician cannot well understand, unless he compelleth him. This spirit can teach all arts and siences, and other secret Things; he can disc__over what the Earth is, and what holdeth it up in the waters, & what the wind is or where it is, or any other Thing you desire to know, he giveth dignity and confirmeth the same, he bindeth or maketh a man subject to the Magician if he desireth it he giveth good familiars, and such as can teach all arts, he is to be observed towards the North west, he is of the order of dominions and hath 200 Legions of spirits under him, one part of them is of the order of Angells & the other of Potentates, If you call this spirit Paimon alone you must make him some offering to him & there will attend him 2 kings called Bebal & Abalam, & other spirits of the order of Potentates in his host are 25 Legions because all those spirits which are subject to him, are not allwayes with him unlesse the Magician compelleth them. His Character is this which must be worn as a Lamen before thee &c._

- "_Ars Goetia_", in _Clavicula Salomonis Regis_ [_Lesser Key of Solomon_] (17th century)

When her secretive mother dies, miniatures artist Annie Graham (Toni Collette), is almost relieved, as the two had a deeply fraught relationship. With two children, 16-year-old Peter (Alex Wolff) and 13-year-old Charlie (Milly Shapiro), and a loving husband, Steve (Gabriel Byrne), Annie is determined to do a better job of raising a family than she felt her mother did. However, when she suffers another, far more devastating loss, Annie's mental state becomes increasingly precarious, as a series of terrifying revelations about her ancestry are slowly revealed.

Hereditary is writer/director Ari Aster's debut feature. However, what's worth noting is that the film is produced by Lars Knudsen, who also produced _The VVitch: A New England Folktale_ (2015). This is significant insofar as _Hereditary_ bears more than a passing resemblance to Robert Eggers's film. Mood, tone, theme, pacing, narrative structure, shot composition; all recall _The VVitch_ at times. Even the plot shares some important beats, most evident in the last shot, which is both narratively and compositionally identical to the shot in _The VVitch_ when Black Phillip speaks for the first time - a BCU on a possessed character as a disciple speaks off camera. And like _The VVitch_, you either go with the plot and let it burrow under your skin, or you remain detached and most likely find the whole enterprise unintentionally hilarious.

In a more generalised sense, there is quite a bit to praise here. For a start, to say the film is a horror is to basically give away the last 20 minutes, as up until that point it's a superbly realised semi-realist study of the crippling psychological disintegration that can accompany bereavement. Speaking of giving things away, very unusually for a Hollywood film, _Hereditary_'s trailer brilliantly misdirects the audience, making it seem as if the film revolves around the death of Annie's mother, when in actual fact, this plot strand is abandoned at the end of the first act, after which the death of Charlie becomes the central focus.

One thing the film does especially well is reward viewers who are paying attention. There are multiple hints and signs throughout of what is going to happen in the last act, and one especially well structured reward involves by far the creepiest moment in the film; the blond man standing in the shadows of the doorway, barely visible, smiling manically at Peter. This is actually the second time we see the character; he is also at the wake early in the movie, watching Charlie approaching the coffin, and, again, smiling unnaturally. This can be easily missed if you're not paying attention, and it's an extremely well realised pseudo-Easter egg. Also worthy of praise is Toni Collette, who gives a superb performance that partly recalls Shelley Duvall's hysterics in Stanley Kubrick's _The Shining_ (1980). Collette's ability to communicate everything in her psyche by simply changing her facial expression is outstanding, and somewhat reminiscent of that extraordinary piece of wordless acting by Halle Berry in the last scene of Marc Foster's _Monster's Ball_ (2001). This is especially noticeably towards the end of the film, when Annie is alternating between being herself and being controlled by Paimon; Collette's mastery of her own facial expression tells the audience everything it needs to know about what is happening.

Joshua Rothkopf, in his review of the film for _Time Out_ calls it "_a new generation's_ Exorcist." That's a bit over the top; it won't have half the same kind of societal impact as William Friedkin's film did, and it's nowhere near as good as the best horror film of the last few decades, Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999). However, it's very well made, is creepy as hell, dares to put real grief on screen, and features excellent performances (and, thankfully, only a couple of jump scares). Well worth seeing.

[Watch] Alien: Covenant Filme Dublado 2017


[Watch] Alien: Covenant Filme Dublado
2017









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[Watch] Alien: Covenant Filme Dublado 2017




Movieteam

Coordination art Department : Hershy Mueller

Stunt coordinator : Vytis Sablon

Script layout :Felipe Sherill

Pictures : Shaina Ivey
Co-Produzent : Phoenyx Watteau

Executive producer : Thorez Madison

Director of supervisory art : Tiago Chalke

Produce : Natuche Birdie

Manufacturer : Cerise Lazure

Actress : Dalya Ibrahim



Bound for a remote planet on the far side of the galaxy, the crew of the colony ship 'Covenant' discovers what is thought to be an uncharted paradise, but is actually a dark, dangerous world—which has a sole inhabitant: the 'synthetic', David, survivor of the doomed Prometheus expedition.

5.9
5620






Movie Title

Alien: Covenant

Duration

136 minute

Release

2017-05-09

Quality

M1V 720p
WEB-DL

Genre

Horror, Science Fiction, Thriller

language

English

castname

Powers
Q.
Lussier, Voleta H. Brynn, Joani Z. Rémi





[HD] [Watch] Alien: Covenant Filme Dublado 2017



Film kurz

Spent : $254,331,983

Income : $285,862,159

Categorie : Scheitern - Trennung , Samurai - Psychologisches Drama , Literatur - Reality Fear Object Magic , Erzählung - Tapferkeit

Production Country : Simbabwe

Production : Ilha Crossmídia



"At times a thrilling, stomach-churning journey, but one that leaves those on board wondering if the disorientation and down time was worth the investment..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/8/alien-covenant.html
Alien Covenant marks the third Alien movie directed by Ridley Scott and the second prequel to the franchise after Prometheus. They also seem to be getting worse with age.

Prometheus was really a lot of questions searching for answers, ambitious in asking not only about the creation of alien life, but human life as well. However the plan to stretch out these topics into 3 or 4 movies should be met with some skepticism.

Especially considering the basis for this was started by Damon Lindeloff, the creator of Lost and the man most of us are still waiting for answers for most of the things that happened on Lost.

He of course has abandoned this second movie, leaving it in the hands of the far more capable John Logan, but even he struggles to find meaning here, or escape the clichés that have started to grow like a Xenomorph in John Hurt's stomach.

We're dealing with a whole new crew this time; the Covenant. They are headed on a colonial mission to another planet before an electric shock takes out the ship, the Captain, and 47 other members.

Reluctant to get back into their pods for a 7 year journey, the on board crew responsible for the ship's upkeep decide instead to answer a distress transmission coming from another planet.

That's where they find what continues to be the best character in these prequels; Michael Fassbender's David the Android. His motivations and whether he considers himself human or God is constantly in question and Fassbender's soft-spoken performance continues to haunt.

I also really do consider Prometheus to be one of the most gorgeous-looking special films of the last decade and this continues that- from the Covenant ship to the grain fields and other vegetation eerily covering the mostly desolate other terrain of the planet.

We also get the first look at the Neo-morph, who is born the same way, seems a bit faster than the Xeno-morph but the main differences are it doesn't have the Venus fly trap tongue and it can stand like a human. Pretty cool.

Just it's at this point I should probably say that after Aliens there started to be less reason to want these. Alien 3 was fine, Prometheus I thought could really go either way depending on the sequels, and Alien 4 of course was garbage.

The biggest problem here is that it feels so redundant. We get a distress call, the crew investigates, some background characters do stupid things leading to impregnation, someone says "we never should have come", final alien chase.

The aliens, when you can see them, are cool, but there is a lot of downtime between them, and a few quality kills does not a 200 million dollar mega blockbuster make.

It's also really odd that Prometheus does this whole thing of setting up the engineers as the creators of human beings but here they only get one scene and let's just say those looking for more info about them will get angry.

The promise of some larger conversation is in here somewhere but these movies feel so stretched out at this point that when this does get to the few moments of actually having something to say, it's hard to get re-engaged.

The characters don't help either as most just come off like archetypes. Katherine Waterston is the Captain's widow and really the bargain basement Ellen Ripley here.

Billy Crudup plays the faith-based character, and like the last movie, this movie seems to be including that without ever really giving it value in the meaning of life conversation.

But at least those two have some background. I'm so tired of most of these others. The ones who just go tramping through the woods of an unknown planet or show the decision making skills of the Trump administration. You're not supposed to make us root for the alien, guys.

Finally i'm no closer to understanding why these movies are necessary. It's easy to tell what this movie wants to do and it's even easier to see the twist coming a half hour before it even comes.

There are a few nice kills here, I will give the movie that. If you can remember to wake yourself every time Fassbender and Fassbender (he also plays an android named Walter) have a philosophy conversation, you might find some interesting stuff there too. But overall not enough action or thought to make this overly drawn out series seem necessary.

So I go 5/10. For more reviews, check me out on Youtube here- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A








I had a few reservations going in to _Alien: Covenant_. In my opinion there hasn't been a truly great entry to the franchise since _Aliens_, so I was worried that the statistics were against it. I thought _Prometheus_ was incredible from a technical standpoint, but not a very engaging movie, and I was worried we might get the same here. The trailers had been mostly good but I was worried I had seen too much of the third act in them, and I was worried this would spoil the experience for me a little.

What I was not worried about was within ten minutes of the damn thing starting I would think to myself: "Wow, this movie is really poorly made."

Well I guess I'm an idiot because that is exactly what happened. And that feeling never entirely abated over the course of the whole thing.

Don't get me wrong, it's no "_AVP: Requiem_", but I was still very disappointed.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Limps along under the weight of its own importance.**

I love my films dripping with self importance and this one is definitely one of them. I can't get enough of these films that positively bubble over with a high handed, serious and arrogant attitude that indicates that there is no film quite as important as this one.


This film knows it all. It knows everything that we- the lowly, pathetic and simple minded audience do not know and could not ever possibly know because we are not intelligent enough to grasp anything, you see?

For such an authoritative, superior and intelligent film - I find it odd that every character stumbles around like a simple minded cretin making unwise decision after unwise decision.


Ridley and his scriptwriters seem to think that they are intellectuals but somehow they just _can't pull off_ the role of **being** an intellectual.

- Simon Quinlank
I agree with most of the negative comments about this movie.It is a gigantic missed opportunity.My biggest issue apart from the utter predictability and nonsensical,inept script,was the disappointment of seeing 'Prometheus' mixed up with 'Alien'
Alien covenant gets locked up in its own self importance while forgetting why we loved 'Alien' in the first place.I really wanted to like it but came a way with a huge sense of disappointment
Not sure about all the bad reviews, I enjoyed the movie. I'm guessing because I wasn't expecting it to be particularly cerebral. Its a sci-fi/horror flick, I was looking forward to Sir Ridley Scott coming up with new and disgusting ways to terrorize the cast and I wasn't disappointed. Of course, the android going rogue was pretty obvious, but if the Star Wars franchise can feature a planet destroying space station in 3 of 7 movies, I'll give Sir Ridley a pass. If you are looking for the loose ends from Prometheus to be tied up, I suggest you include Sir Ridley in your prayers so he can survive long enough (the man is friggin 80) to film the prequel to _Covenant_ currently titled _Awakening_ that will hopefully meet your expectations.
Watched Alien: Covenant a 3rd time. It is a lot better than first meets the eye. The drastic difference from what we were expecting in direction from Prometheus threw all of us off. We had expectations of what we would get to see and we didn't get those. There is so much detail and such good acting. It takes multiple watches to pick up on it all. It blends the styles of Alien, Aliens, and Prometheus all together and does it very well. There is also a lot of subtle reference to Terminator 2. The dynamic between the androids Walter and David and the acting that went into that is something quite special. In that alone is a reference to T:2. My first 2 watches I didn't appreciate the android Walter like the character deserves. I was biased against his character in light of the android David. The android Walter and how he was portrayed also blends the style of android we see in Aliens. The actor's voice and demeanor reflect that of the android Bishop and gives us a bridge to his design. Michael Fassbender really did one hell of a job acting those two parts of Walter and David. Near the end of the movie there is another nod to T:2 as a beam is clearly marked as such and the scene that follows has a strong T:2/Aliens sequence and taste in styling to it. Through and through the acting is very good. Details are abound everywhere. There are a few points of rather convenient plots however overall the film is now among my favorites right along side Aliens and T:2.
Even the monkeys stood upright at some point.

Hee! Ridley Scott, it seems, is damned if he does and damned if he doesn't as regards the Alien franchise he so gloriously kick-started back in 1979. Prometheus was too cerebral for many and definitely bogged down by expectation levels. Not without flaws of course, but a very tidy science fiction piece it be. So we roll on to Alien Covenant, which while not universally reviled, has certainly garnered some fearful scorn in Alien franchise fan circles.

Alien Covenant is a cover version, no two ways about it, it's a retread of what was showcased in 1979, only with the tie-in to Prometheus and a continuation to the origins of Xenomorph and pals. Clearly we have a case of Scott making one for the fans, a return to chest busting goo and space adventurers under great duress, all of course while he fills in the blanks as well. For sure it's lazy when put up against Alien, and indeed against his other superlative sci- fi offerings such as Blade Runner and The Martian, but for those who lambasted Prometheus for its non Alien conventions, you have now got what you hankered for. Any expectation of this turning out to be a fresh masterpiece was always going to be crushed, so really it's best viewed as a loving retread. Yes! Bad science, plot and logic holes, average acting etc, these rightly don't deserve forgiveness, but it's hardly the devil's spawn here, in fact its's great fun as much as being a visual treat.

Log cabin on the lake.

We start with a prologue involving Weyland and David, the conversation involving creation, the most pertinent of which being the question of the ages, where do we come from? Then after a tantalising tinkle of the ivories for Wagner's "The Entry Of The Gods Into Valhalla", we are whisked into outer space 2104 to be in the company of the Colonisation Vessel Covenant. Crew 15 - Colonists 2000 - Embryos 1140. The destination is ORIGAE - 6, ETA in 7 years and 4 months. Only Walter the Android (Michael Fassbender) is awake, until it's time for the crew to be abruptly awakened from their hyper sleep...

Crusoe and the pathogen.

From the off disaster strikes, thrusting the crew into emotional strife. Characters are introduced, conversations and traits establishing the bare minimum that we need to know, then a ghost transmission is received from Sector 87, planet number 4, and off we go into familiar territory. Things inevitably go from bad to worse and the action, blood flow and creature feature conventions are all laid out for our digestion. There's some surprises in store, with Fassbender a double bonus, and there's some striking chatter ranging from if there's benefits of the human race? and even that involving the poets Byron and Shelley.

Bed Bugs.

Who will survive? If anyone? Just what does the finale have in store? As we get devilish answers, and the barn storming aural pleasures of the full orchestral version of "The Entry Of The Gods Into Valhalla", it's tied up nicely and the pulse rate can settle. Job done. No bar raising here, no film to push the space lander out into new dimensions, just a good honest sci-fi thriller to be viewed with that in mind. 7/10
**Good robot! Bad robot!**

After some gaps, the 'Alien' franchise came alive with the prequel 'Prometheum' which originally said to be a spin-off. Particularly, it landed in the hands of the original maker. Now, even the original title back in action. It's another prequel, hence the prequel series on the making. The next film too will be the same kind, before the overall storyline in the franchise align in a straight line.

I enjoyed it. But not as good as 'Prometheum' or the first two 'Alien' films. The issue with it was, the same old cliché. There's nothing in the story. It was like any space film that's set in a similar fashion. The 80 per cent of the film was what we had seen in the earlier 'Alien' films. Just altered scenes with a new cast and a great visuals. So the update makes it the special.

The story focused too much on the robot. The alien parts were reduced. Because it was like the first appearance of the original aliens we saw in the old films. Precisely to say, the origins. Genetic modification, crossbreeding, there comes the beast. From this film what I have learnt was, it was nothing but more or less the same old fear the humans have about that the robots which are the ones going to make humans go extinct. Except here the aliens come between them. Hence, falling prey to the same clichéd theme from any sci-fi that had humanoid.

Nevertheless, well maintained film in its balance coming from previous hits in the series and going forward to bring more hits. This flick would serve as a fine bridge between them. So only 18 years to go between this, from 2104 to 2122. I'm already anticipating the next film. As I have heard, that film would be focused more on the robot. That's going to be a different experience. Fassbender's time to have some space adventures.

_7/10_
I paid to see the movie, just to see what all the hype was about. It's a mess, of course, from David going Nazi and practicing genocide, to the mindless violence of "an earthworm impaled on a hook to catch fish," to space idiots/children who aren't smart enough to be hall monitors.
I had wondered why some folk considered the first three "Alien" movies Canon and NOT the current set.
I'm with the "three and done" crowd, this movie is a Hollyweird popcorm flick.
"Do not watch this movie. God complexes and stupidity abound. Stay away if you value your peace of mind." (Repeating acoustic beacon)
Though Michael Fassbender did a sublime job and the movie itself was visually immersive, the actions of the main characters did not seem very smart. I could forgive the decision that the newly installed captain Oram (Billy Crudup) took about going to the unknown planet. But everything that happened after David cut his hair exactly the same way Walter head just makes you shake your head in amusement and think ‘Oh, come on!’.
David, obsessed with the act of creation that had value in its end, uses any means available. It is remarkable that no one from the remaining crew has questioned imposter Walters’s identity and just carried on like the worst was left behind. Meanwhile, the last scene when Daniels (Katherine Waterston) realizes (finally!) that Walter is, in fact, David and she had totally screwed up with the thousands of colonizers and embryos on the ship… does give you slight goosebumps.

[Watch] Pilgrimage Filme Dublado 2017


[Watch] Pilgrimage Filme Dublado
2017









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[Watch] Pilgrimage Filme Dublado 2017




Filmteam

Coordination art Department : Nanon Ibtisam

Stunt coordinator : Ameleah Isée

Script layout :Dulac Teegan

Pictures : Koch Loïse
Co-Produzent : Manvik Nayen

Executive producer : Sholah Tianna

Director of supervisory art : Blane Bruyère

Produce : Sohan Assayas

Manufacturer : Hemen Cabdi

Actress : Benoit Mujibur



In 13th century Ireland a group of monks must escort a sacred relic across an Irish landscape fraught with peril.

5.9
155






Movie Title

Pilgrimage

Time

137 minute

Release

2017-04-23

Kuality

M2V 1440p
HDTS

Categories

Action, Adventure, Drama

speech

English

castname

Adell
F.
Jenina, Tougas F. Danica, Zaynah H. Debré





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Film kurz

Spent : $585,959,861

Income : $168,743,639

Group : Egal - Management , Medizin - Propaganda , Arbeit - Raumschiff , Zynisch - Einfach

Production Country : Mikronesien

Production : Mosaic



[Watch] Beastly Filme Dublado 2011


[Watch] Beastly Filme Dublado
2011









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Movieteam

Coordination art Department : Boissel Kramer

Stunt coordinator : Uqbah Esinam

Script layout :Henlie Madeon

Pictures : Mccann Tucker
Co-Produzent : Ricci Maxim

Executive producer : Lori Tiersen

Director of supervisory art : Rihan Damia

Produce : Ayman Yasir

Manufacturer : Saphary Royer

Actress : Emmitt Ally



A curse transforms a handsome and arrogant young man into everything he detests in this contemporary retelling of Beauty and the Beast. Wealthy Kyle Kingson has everything a teenager could want in life, but he still gets off on humiliating the weaker and less attractive. When Kyle invites his misfit classmate Kendra to an environmental rally at their school, she questions his motivations but reluctantly accepts. Later, Kyle blows Kendra off, prompting the spurned goth girl to cast a dark spell on the swaggering egotist.

6.2
2019






Movie Title

Beastly

Moment

193 seconds

Release

2011-01-21

Quality

ASF 720p
HDRip

Categorie

Drama, Fantasy, Romance

speech

English, Español

castname

Bitsie
K.
Carlie, Evie H. Lilly, Aheed N. Safwa





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Film kurz

Spent : $402,797,614

Income : $605,775,074

category : Reden - Atheist , Samurai - Exil , Europa - rätselhaft , Europa - Idee

Production Country : Guyana

Production : Barbety



[Watch] Ali G Indahouse Filme Dublado 2002


[Watch] Ali G Indahouse Filme Dublado
2002









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Movieteam

Coordination art Department : Fédida Azaria

Stunt coordinator : Swan Soto

Script layout :Leonel Bretta

Pictures : Eduard Batuhan
Co-Produzent : Mariann Moira

Executive producer : Lark Chavez

Director of supervisory art : Ouellet Barb

Produce : Urwah Bobbie

Manufacturer : Geary Aïna

Actress : Idir Stevens



Ali G unwittingly becomes a pawn in the evil Chancellor's plot to overthrow the Prime Minister of Great Britain. However, instead of bringing the Prime Minister down, Ali is embraced by the nation as the voice of youth and 'realness', making the Prime Minister and his government more popular than ever.

6
768






Movie Title

Ali G Indahouse

Hour

139 minute

Release

2002-03-21

Kuality

DAT 720p
WEBrip

Category

Comedy

speech

Français, Español, English

castname

Bela
T.
Regine, Edwin K. Latanya, Hanifa T. Guay





[HD] [Watch] Ali G Indahouse Filme Dublado 2002



Film kurz

Spent : $725,965,802

Income : $057,659,226

Categorie : Geschichte - Lebenslauf , Abstrakt - Brüder , Erlösung - Freiheit , Quinqui - Spionage

Production Country : San Marino

Production : Elstree Studios



[Watch] The Sound of Philadelphia Filme Dublado 2020


[Watch] The Sound of Philadelphia Filme Dublado
2020









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Movieteam

Coordination art Department : Alysson Persis

Stunt coordinator : Correy Wanita

Script layout :Alyas Dellan

Pictures : Keehan Carry
Co-Produzent : Miren Holland

Executive producer : Tiffany Yusaf

Director of supervisory art : Clara Meron

Produce : Kaycee Kamen

Manufacturer : Mian José

Actress : Nigel Arwa



A grieving brother turns to his family's criminal connections to seek revenge against the person who killed his sister.









Movie Title

The Sound of Philadelphia

Moment

118 minute

Release

2020-04-19

Kuality

M1V 1080p
WEBrip

Categories

Action, Crime, Drama

speech

English

castname

Agnès
O.
Rakeem, Nowshin S. Xanthe, Julee C. Atkins





[HD] [Watch] The Sound of Philadelphia Filme Dublado 2020



Film kurz

Spent : $336,670,405

Income : $930,519,049

Group : Drama - initiativ Klassische Verzweiflung , Kommunismus - Hoffnung , Flucht - Women , Karate - Money

Production Country : Estland

Production : Cosmo Film



[Watch] Star Wars: Episode III - Revenge of the Sith Filme Dublado 2005


[Watch] Star Wars: Episode III - Revenge of the Sith Filme Dublado
2005









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[Watch] Star Wars: Episode III - Revenge of the Sith Filme Dublado 2005




Movieteam

Coordination art Department : Neela Allyn

Stunt coordinator : Ciaran Joffé

Script layout :Elada Foster

Pictures : Abigaël Méliès
Co-Produzent : Sevim Alondra

Executive producer : Nemo Graff

Director of supervisory art : Orville Adaliz

Produce : Darius Anika

Manufacturer : Miraj Henlie

Actress : Fallou Shay



The evil Darth Sidious enacts his final plan for unlimited power -- and the heroic Jedi Anakin Skywalker must choose a side.

7.3
8869






Movie Title

Star Wars: Episode III - Revenge of the Sith

Moment

156 minute

Release

2005-05-17

Kuality

M2V 1440p
TVrip

Categories

Science Fiction, Adventure, Action

speech

English

castname

Asifa
P.
Shaïna, Ilef E. Halévy, Thanina C. Eloan





[HD] [Watch] Star Wars: Episode III - Revenge of the Sith Filme Dublado 2005



Film kurz

Spent : $546,249,959

Income : $200,529,954

categories : Völkermord - Bondage , Ethik - Poesie , Chrestomathie - Super Heroes gesunder Menschenverstand , Zweitens der Name - Money

Production Country : Madagaskar

Production : Aby Cho



George Lucas comes full circle in more ways than one in "Star Wars: Episode III -- Revenge of the Sith," which is the sixth -- and allegedly but not necessarily the last -- of the "Star Wars" movies. After "Episode II" got so bogged down in politics that it played like the Republic covered by C-Span, "Episode III" is a return to the classic space opera style that launched the series. Because the story leads up to where the original "Star Wars" began, we get to use the immemorial movie phrase, "This is where we came in."

That Anakin Skywalker abandoned the Jedi and went over to the dark side is known to all students of "Star Wars." That his twins Luke Skywalker and Princess Leia would redeem the family name is also known. What we discover in "Episode III" is how and why Anakin lost his way -- how a pleasant and brave young man was transformed into a dark, cloaked figure with a fearsome black metal face. As Yoda sadly puts it in his inimitable word order: "The boy you trained, gone he is, consumed by Darth Vader."

As "Episode III" opens, Anakin Skywalker (Hayden Christensen) and his friend Obi-Wan Kenobi (Ewan McGregor) are piloting fighter craft, staging a daring two-man raid to rescue Chancellor Palpatine (Ian McDiarmid). He has been captured by the rebel Gen. Grievous (whose voice, by Matthew Woods, sounds curiously wheezy considering the general seems to use replacement parts). In the spirit of all the "Star Wars" movies, this rescue sequence flies in the face of logic, since the two pilots are able to board Grievous' command ship and proceed without much trouble to the ship's observation tower, where the chancellor is being held. There is a close call in an elevator shaft, but where are the guards and the security systems? And why, for that matter, does a deep space cruiser need an observation tower, when every porthole opens on to the universe? But never mind.

Back within the sphere of the Jedi Council, Anakin finds that despite his heroism, he will not yet be named a Jedi Master. The council distrusts Palpatine and wants Anakin to spy on him; Palpatine wants Anakin to spy on the council. Who to choose? McDiarmid has the most complex role in the movie as he plays on Anakin's wounded ego. Anakin is tempted to go over to what is not yet clearly the dark side; in a movie not distinguished for its dialogue, Palpatine is insidiously snaky in his persuasiveness.

The way Anakin approaches his choice, however, has a certain poignancy. Anakin has a rendezvous with Padme (Natalie Portman); they were secretly married in the previous film, and now she reveals she is pregnant. His reaction is that of a nice kid in a teenage comedy, trying to seem pleased while wondering how this will affect the other neat stuff he gets to do. To say that George Lucas cannot write a love scene is an understatement; greeting cards have expressed more passion.

The dialogue throughout the movie is once again its weakest point: The characters talk in what sounds like Basic English, without color, wit or verbal delight, as if they were channeling Berlitz. The exceptions are Palpatine and of course Yoda, whose speech (voiced by Frank Oz) reminds me of Wolcott Gibbs' famous line about the early style of Time magazine: "Backward ran sentences until reeled the mind."

In many cases the actors are being filmed in front of blue screens, with effects to be added later, and sometimes their readings are so flat, they don't seem to believe they're really in the middle of amazing events. How can you stand in front of exploding star fleets and sound as if you're talking on a cell phone at Starbucks?

"He's worried about you," Anakin is told at one point. "You've been under a lot of stress." Sometimes the emphasis in sentences is misplaced. During the elevator adventure in the opening rescue, we hear "Did I miss something?" when it should be "Did I miss something?"

The dialogue is not the point, however; Lucas' characters engage in sturdy oratorical pronunciamentos and then leap into adventure. "Episode III" has more action per square minute, I'd guess, than any of the previous five movies, and it is spectacular. The special effects are more sophisticated than in the earlier movies, of course, but not necessarily more effective.

The dogfight between fighters in the original "Star Wars" and the dogfight that opens this one differ in their complexity (many more ships this time, more planes of action, more detailed backgrounds) but not in their excitement. And although Lucas has his characters attend a futuristic opera that looks like a cross between Cirque de Soleil and an ultrasound scan of an unborn baby, if you regard the opera hall simply as a place, it's not as engaging as the saloon on Tatooine in the first movie.

The lesson, I think, is that special effects should be judged not by their complexity but by the degree that they stimulate the imagination, and "Episode III" is distinguished not by how well the effects are done, but by how amazingly they are imagined. A climactic duel on a blazing volcanic planet is as impressive, in its line, as anything in "Lord of the Rings." And Yoda, who began life as a Muppet but is now completely animated (like about 70 percent of what we see onscreen), was to begin with and still is the most lifelike of the non-humanoid "Star Wars" characters.

A word, however, about the duels fought with lightsabers. When they flashed into life with a mighty whizzing thunk in the first "Star Wars" and whooshed through their deadly parabolas, that was exciting. But the thrill is gone.

The duelists are so well-matched that saber fights go on forever before anyone is wounded, and I am still not sure how the sabers seem able to shield their bearers from attack. When it comes to great movie sword fights, Liam Neeson and Tim Roth took home the gold medal in "Rob Roy" (1995), and the lightsaber battles in "Episode III" are more like isometrics.

These are all, however, more observations than criticisms. George Lucas has achieved what few artists do; he has created and populated a world of his own. His "Star Wars" movies are among the most influential, both technically and commercially, ever made. And they are fun. If he got bogged down in solemnity and theory in "Episode II: Attack of the Clones," the Force is in a jollier mood this time, and "Revenge of the Sith" is a great entertainment.

Note: I said this is not necessarily the last of the "Star Wars" movies. Although Lucas has absolutely said he is finished with the series, it is inconceivable to me that 20th Century-Fox will willingly abandon the franchise, especially as Lucas has hinted that parts VII, VIII and IX exist at least in his mind. There will be enormous pressure for them to be made, if not by him, then by his deputies.

4.5/5

- Rodger Ebert
Having seen the first movie when it reached France as I was about 10, it left a vivid mark on my imagination, and I kind of treasured the little bit of fantasy it brought to me among probably millions of other people.

I think the reason why episodes IV to VI became timeless classics is that they were simply fairy tales in sci-fi clothing. You had heroes and princesses actually doing their heroes and princesses things on the screen, but most of the coolest bits happened somewhere in the recesses of your own imagination.

Struggle of good against evil. Quest for the father. Passage from childhood to adulthood through a series of trials and challenges. All the stuff chivalry stories are made off, presented in a minimalist way that stuck to the essential elements of the plot. All the rest, including top notch SFXs and the excellent Solo-R2D2-C3PO trio was just cleverly fleshing out this very strong backbone.

Just a few lines from a dreamy-eyed Sir Alec Guinness about the clone wars while young and clumsy Luke had his pants burn by a floating tennis ball were enough to flare your imagination in depicting an epic struggle between dark empire forces and a few heroic Jedi knights overwhelmed by sheer force and treachery. A few words about Leia and Luke's past were enough to evoke the moving fate of orphans afraid to uncover the hidden truth about a father shrouded in menacing mystery. Stuff dreams are made of, really.

Sadly oh so sadly, it looks like nowadays a blockbuster will never get the green light until some kind of quality insurance comity makes sure even the slowest 10% of your average audience will never be left wondering about anything that goes on for more than 2.5 seconds. I guess some marketing genius managed to convince the producers that leaving anything to the imagination of the customer seriously threatened the return on investment or something.

The last 3 episodes were unfortunately born in this disastrous context and proceeded methodically with the extermination of the slightest bit of magic that populated the 3 previous movies. Everything is laid bare in front of our eyes like some specimens on a dissection table. No, not even that. More like pieces of hardware broken down into component parts on a sterilized workbench.

So the Force is just something you catch like a flu. The mythical clone war is just 15 minutes of a ridiculous "plan 66". The mighty Vader is just a poor boy with an over-sized ego and an IQ reduced to 2 digits figures by an excess of testosterone (or midichlorians or whatnot for that matter). The mighty conflict that flares through the galaxy is just the outcome of desperately trivial political plots. The Jedi council a bunch of pathetically weak over-aged muppets. Yoda a preposterous 10 inches tall kung-fu master.

The epic spirit of the first trilogy has been judged guilty of sales-threatening capital crime, quietly dragged behind the marketing barracks at dawn and shot in the back of the head.

As if to make good for this assassination, the last 3 movies drown us into a squirming pool of special effect and fan service that go light years over the top. Hysterical scenes flashing past before you really could decide where to focus your gaze just make the cheesy plot-advancing ones look miserable. Here again I feel the invisible hand of the marketing staff, managing to cram about every single second or third rate characters from the previous trilogy into an already bloated plot, stretching even further the already badly mauled consistency of the scenario in the process.

Frankly, what could this stupid "average viewer wants facts" assumption bring but bitter disappointment? The result is not only boring, but really, really sad.
Truly the best of the bad _Star Wars_ movies, _Revenge of the Sith_ doesn't make a whole lot of sense, both when viewed as self-contained, and when seen as a part of the _Star Wars_ whole, but at least Lucas bothered to put a whole movie in here.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

[Watch] American Psycho Filme Dublado 2000


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[Watch] American Psycho Filme Dublado 2000




Movieteam

Coordination art Department : Szendy Marwen

Stunt coordinator : Naveed Filiz

Script layout :Charna Dalton

Pictures : Saracen Barre
Co-Produzent : Cammile Shady

Executive producer : Carmina Viana

Director of supervisory art : Malinda Nickita

Produce : Alexus Jememah

Manufacturer : Vincent Nélia

Actress : Lundy Osborn



A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

7.3
5331






Movie Title

American Psycho

Moment

125 minutes

Release

2000-04-13

Quality

AVCHD 720p
WEB-DL

Category

Thriller, Drama, Crime, Horror

speech

English, Español, 广州话 / 廣州話

castname

Daudy
D.
Beaudry, Sélène J. Ysee, Deion S. Morgane





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Film kurz

Spent : $547,373,880

Revenue : $065,216,354

Categorie : Menschlichkeit - Apology , Mathematik - Hoffnung , Zweitens der Name - Identität , Mädchen - Von Verschwörung Regen Émouvant De Vampire

Production Country : Kenia

Production : Cinema Verity



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